It was actually Curtis’s daughter, Scarlett, then in her early 20s, who surfaced a solution during a car ride with her dad. “It was a long, agonizing process,” Curtis said.
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The key was figuring out how to bring her back both quickly and believably. The story involves death, birth, directorial breakdowns, digitized mouths, a jaw-dropping amount of partying, and a collective abandon that’s rare to see onscreen.īefore any time- and space-defying ending could be realized, the biggest hurdle in bringing Mamma Mia 2 to the screen was figuring out what the hell to do about Streep, who, as Craymer put it, “doesn’t love doing sequels.” Craymer, Parker, and Curtis knew they couldn’t make a second film without her. We spoke to Parker, Curtis, producer Judy Craymer, and many of our favorite Mamma Mia 2 scene-stealers about what went into concluding a sequel that probably should never have happened in the first place. The whole thing is simultaneously campy and straight-facedly earnest, coming together with the goofy, heartfelt energy of a slapdash community theater production, albeit one put on by some of the most famous actors in the world.īut its epic conclusion is even more charmingly arbitrary, a space-time-melting, death-defying, and even sob-inducing 30-plus-minute sequence that includes but is not limited to: Cher helicoptering out of nowhere onto said Greek island Cher making out with Andy Garcia after singing ABBA’s “Fernando” Lily James giving strenuous birth atop a mountain an improvised dance routine wherein Meryl Streep, Christine Baranski, Julie Walters, Colin Firth, Stellan Skarsgård, and Pierce Brosnan shimmy in spandex alongside their younger counterparts, defying time and space and the ghost of Streep.
Mamma Mia 2 flashes back and forth between young hippie Donna Sheridan’s (Lily James) early dating misadventures, which eventually lead her to a faraway Greek island where she conceives her daughter Sophie (Amanda Seyfried), who, in the present day, is involved in a manic attempt to realize her now-dead mother’s (Meryl Streep) dream of opening a remote Grecian inn. It is about coming back from the dead it is about getting accidentally pregnant it is an ode to DIY renovation and shagging across 1970s Europe. It’s difficult to capture its psychedelic, heartwarming essence with mere human words. Written and directed by Ol Parker with help from rom-com legend Richard Curtis, the much-maligned and much-beloved 2018 sequel feels like a dream you might have after falling off a ladder and being knocked unconscious. There are drugs, and then there is the ending of Mamma Mia! Here We Go Again. We are republishing it in honor of Vulture’s Sequels Week. When using a search engine such as Google, Bing or Yahoo check the safe search settings where you can exclude adult content sites from your search results Īsk your internet service provider if they offer additional filters īe responsible, know what your children are doing online.This story originally ran in February. Use family filters of your operating systems and/or browsers Other steps you can take to protect your children are: More information about the RTA Label and compatible services can be found here. Parental tools that are compatible with the RTA label will block access to this site. We use the "Restricted To Adults" (RTA) website label to better enable parental filtering. Protect your children from adult content and block access to this site by using parental controls. PARENTS, PLEASE BE ADVISED: If you are a parent, it is your responsibility to keep any age-restricted content from being displayed to your children or wards. Furthermore, you represent and warrant that you will not allow any minor access to this site or services. This website should only be accessed if you are at least 18 years old or of legal age to view such material in your local jurisdiction, whichever is greater. You are about to enter a website that contains explicit material (pornography).